Kiss of the Spider Woman: A Landmark of Independent Cinema

Kiss of the Spider Woman is a captivating film with amazing performances, and a landmark in the independent film community.

William Hurt and Raul Julia portray two prison inmates – the flamboyant homosexual, Luis Molina, and political prisoner, Valentin Arregui. Luis has been imprisoned for having sex with an underage boy, while Valentin has been incarcerated for his involvement with a revolutionary group. Fundamentally, the two men are entirely different in their worldviews; however, as time moves on, the walls of prejudice begin to gradually break down. kiss1

Molina is a cineaste, who survives the harsh reality of prison life by recalling his favorite scenes from a film that he adores – a romantic war film, that just so happens to be a piece of Nazi propaganda. This love of film plays a pivotal role in the friendship between the two men, as it provides a kind of escape from the prison walls. Valentin comes to rely on Molina’s vivid memories of the film in times of despair, and it is in this way that the two form an inseparable bond. 

The performances in this film are of the highest caliber.

William Hurt won an Oscar for his portrayal of the sensitive, tender-hearted Luis Molina, and Raul Julia matches him as Valentin Arregui. The two actors committed wholeheartedly to this film. It would have been easy for William Hurt to turn Molina into a one-dimensional caricature, but he refuses, allowing us to peer inside of this character’s vulnerable soul. Raul Julia turns in one of the best performances of his career as Valentin, as he moves from deep-seeded place of pure hatred and disgust to one of mercy and grace. The film was directed by Hector Babenco, who shows much restraint and prowess as a filmmaker, with as little pretense as possible. The look of the film is appropriately raw and gritty, and the confines of the low budget add considerably to this.


Kiss of the Spider Woman is a tribute to the wonder of the cinema, how it transforms us, how it defines us. It is one of the greatest cinematic offerings of the eighties – a rare gem of a film, one that will never be forgotten.


© Written by Steven Adam Renkovish, ReelRenkovish 


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s